
A Gothic Mirror: Reflections on Abjection in Frankenstein
Seeing Double: The Spectacular Incomprehensibility of “Everything Everywhere All at Once”

Baby Keem the Poet? Makes No Matter

Dayglow, Bedroom Pop, and the Introspectivity of Growing Up

Belfast and the Power of Escapism

Through the Eyes of Two Climbers: “Early Decision/Late Bloomer”

This Is How I Saw Lulu Wang’s The Farewell:
Reading with K-Ming Chang, author of “Bestiary,” at The Nassau Literary Review’s annual festival
Inclusion Takes Center Stage at Literary Publishing Panel

“We Are the Bridge”: History as Prologue in Julie Dash’s Daughters of the Dust

Coloring Outside the Lines: The Secrets Maps Hide

The “Amadeus” Diptych

Michelle Obama’s Passion for Children’s Nutrition Hits The Big Screen in Netflix’s “Waffles + Mochi”

The Gaze of History through William Logan’s “Fall of Byzantium”

Design is Thinking (A Million Times Over)

Subverting Your Own Voyeur: The Internalized Male Gaze in Broad City

A Body Divided: A Review of Fatimah Asghar’s If They Come For Us

Creating Room for Ethnic Voices in the Culinary Conversation

Bot Poetry: Engineering Randomness

Identifying Calligraphic Genius
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