National Undergraduate Art & Writing Contest 2022

Poetry

selected by Anya Pearson

Winner “Betula ermanii” by Ashley Kim (University of California, Los Angeles ‘23)

Runners Up “Epistle for the gods” by Ethan Luk (Princeton ‘24)

“Chinese Radio“ by Aliza Li (Johns Hopkins ‘24)

Prose

selected by Sophie Gee

Winner “Trout” by Helen Lacey (Johns Hopkins ‘24)

Runners Up “An objective look at a five-story walk-up” by Emily Yourman (Kenyon)

“Romantic Comedy in Reverse” by Lily Levin (Duke ‘23)

Art

Selected by Mark Thomas Gibson

Winner “Remembrance” by Audrey Zhang (Princeton ‘25)

Runners Up “1 Daughters of the Hydrangeas” by Julie Lee (Carnegie Mellon ‘22)

“5” by Jennifer Shin (Carnegie Mellon ‘24)

Editors’ List

Poetry

“Three Autumns” by Callan Latham (University of Iowa)

“Great White Shark” by Helen Lacey (Johns Hopkins ‘24)

“Washing Machine Skin” by Edgar Morales (Dartmouth ‘24)

“human collector her edition” by Nyah Bruce (Emory ‘24)

“metamorphosis” by Jimin Lee (Princeton ‘24)

“Pertenencia” by Isabella Brown (Northwestern ‘23)

“amped” by Tina Xia (Duke)

Prose

“red and her wolf” by Mishal Imaan Syed (University of California, Los Angeles ‘24)

“The House Where They Go to Di” by Finn Chlebowski (University of Texas)

“Haven’t You Heard” by Mia Nelson (Dartmouth ‘22)

“Francis’ Triumph” by Iris Hwang (Columbia)

“The Farm” by Shaphnah Mckenzie (Dartmouth ‘23)

“The Faint of Heart” by Alonzo Rangel (Oberlin)

“The Six Grandfathers” by Emma Plowe (Cornell ‘23)

Art

“3” by Jennifer Shin (Carnegie Mellon ‘24)

“And We Become Gold” by Catherine Kwon (Yale)

“My Complete Attention” by Liam Fallon (Cornell)

“Helen, Whisked Away” by Liam Fallon (Cornell)

“Untitled” by Tina Xia (Duke)

“Pattern 2.1” by Leo Deng (Carnegie Mellon)

“3 Daughters of the Hydrangeas” by Julie Lee (Carnegie Mellon ‘22)

About Our Judges

Anya Pearson is an award-winning playwright, poet, producer, actress, and activist. A current Hodder Fellow at Princeton University’s Lewis Center for the Arts, she is the Curator of Programming at Corporeal Writing and under commission at Portland Center Stage, Story Works, and Many Hats. 


Her plays include: THE MEASURE OF INNOCENCE (The Kilroys List, Drammy Award for Best Original Script, Finalist for Oregon Book Award), MADE TO DANCE IN BURNING BUILDINGS (Showcase: Joe’s Pub, NYC; Shaking the Tree, Portland, OR), THE KILLING FIELDS (2018 Orphic Commission; Valdez Theatre Conference; Seven Devils; GPTC), THREE LOVE SONGS (Play at Home Initiative, PCS). She is constantly plotting, planning, devising, creating, imagining, and revising visions of a better, more just world. www.anyapearson.com

Sophie Gee is Associate Professor and Associate Chair in the Department of English at Princeton University. She specializes in the literature of the seventeenth- and eighteenth-century and the imaginative cultures of England and its colonized territories.  

Her first scholarly book was a literary and intellectual history of eighteenth-century waste. Her debut novel, The Scandal of the Season, was a comedy of manners set in eighteenth-century London, and a retelling of Pope’s "The Rape of the Lock."  The novel was named one of the Best Books of 2007 by the Washington Post and the Economist and has been published in 13 countries. 

Currently she’s completing a second novel entitled Mysteries of the Invisible World, about eighteenth-century scientists, ghosts, gold mines, textiles, time-travel and true love. 

She coordinates a group at Princeton called “Mindful Faculty,” focused on developing new approaches to teaching and scholarship that emerge from mindfulness and other contemplative practices which cultivate non-judgmental presence and embodied awareness.



Mark Thomas Gibson's personal lens on American culture stems from his multipartite viewpoint as an artist—as a black male, a professor, and an American history buff. These myriad and often colliding perspectives fuel his exploration of contemporary culture through languages of painting and drawing, revealing a vision of a dystopic America where every viewer is implicated as a potential character within the story.

Mark Thomas Gibson (b. 1980, Miami, FL) received his BFA from The Cooper Union in 2002 and his MFA from Yale School of Art in 2013. He is represented by M+B in Los Angeles and Loyal in Stockholm. In 2016, he co-curated the traveling exhibition Black Pulp! with William Villalongo. Gibson has released two artist books, Some Monsters Loom Large (2016) and Early Retirement (2017). 

In 2021, Gibson was awarded residencies at Yaddo and the Elizabeth Murray Artist Residency.  He was awarded a Pew Fellowship from the Pew Center for Arts and Heritage, Philadelphia, PA and a Hodder Fellowship from Lewis Center for the Arts, Princeton University, Princeton, NJ.