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The Nassau Literary Review
Home
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Winter 2026
What We're Looking For
Guidelines
181st Anniversary Conference
Spring 2027
Spring 2025
Spring 2023
Spring 2022
Spring 2021
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Schedule of Events 2021
Event Recordings 2021
Schedule of Events 2022
Essays
Contact
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Essays
A Gothic Mirror: Reflections on Abjection in Frankenstein
February 15, 2023
A Gothic Mirror: Reflections on Abjection in Frankenstein
February 15, 2023
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February 15, 2023
February 15, 2023
Seeing Double: The Spectacular Incomprehensibility of “Everything Everywhere All at Once”
February 15, 2023
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February 15, 2023
Baby Keem the Poet? Makes No Matter
June 13, 2022
Baby Keem the Poet? Makes No Matter
June 13, 2022
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June 13, 2022
Dayglow, Bedroom Pop, and the Introspectivity of Growing Up
February 11, 2022
Dayglow, Bedroom Pop, and the Introspectivity of Growing Up
February 11, 2022
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February 11, 2022
Belfast and the Power of Escapism
February 11, 2022
Belfast and the Power of Escapism
February 11, 2022
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February 11, 2022
Through the Eyes of Two Climbers: “Early Decision/Late Bloomer”
February 11, 2022
Through the Eyes of Two Climbers: “Early Decision/Late Bloomer”
February 11, 2022
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February 11, 2022
This Is How I Saw Lulu Wang’s The Farewell:
January 12, 2022
This Is How I Saw Lulu Wang’s The Farewell:
January 12, 2022
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January 12, 2022
June 11, 2021
Reading with K-Ming Chang, author of “Bestiary,” at The Nassau Literary Review’s annual festival
June 11, 2021
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June 11, 2021
June 10, 2021
Inclusion Takes Center Stage at Literary Publishing Panel
June 10, 2021
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June 10, 2021
“We Are the Bridge”: History as Prologue in Julie Dash’s Daughters of the Dust
June 8, 2021
“We Are the Bridge”: History as Prologue in Julie Dash’s Daughters of the Dust
June 8, 2021
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June 8, 2021
Coloring Outside the Lines: The Secrets Maps Hide
May 20, 2021
Coloring Outside the Lines: The Secrets Maps Hide
May 20, 2021
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May 20, 2021
The “Amadeus” Diptych
May 1, 2021
The “Amadeus” Diptych
May 1, 2021
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May 1, 2021
Michelle Obama’s Passion for Children’s Nutrition Hits The Big Screen in Netflix’s “Waffles + Mochi”
May 1, 2021
Michelle Obama’s Passion for Children’s Nutrition Hits The Big Screen in Netflix’s “Waffles + Mochi”
May 1, 2021
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May 1, 2021
The Gaze of History through William Logan’s “Fall of Byzantium”
May 1, 2021
The Gaze of History through William Logan’s “Fall of Byzantium”
May 1, 2021
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May 1, 2021
Design is Thinking (A Million Times Over)
April 20, 2021
Design is Thinking (A Million Times Over)
April 20, 2021
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April 20, 2021
Subverting Your Own Voyeur: The Internalized Male Gaze in Broad City
February 14, 2021
Subverting Your Own Voyeur: The Internalized Male Gaze in Broad City
February 14, 2021
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February 14, 2021
A Body Divided: A Review of Fatimah Asghar’s If They Come For Us
February 14, 2021
A Body Divided: A Review of Fatimah Asghar’s If They Come For Us
February 14, 2021
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February 14, 2021
Creating Room for Ethnic Voices in the Culinary Conversation
December 26, 2020
Creating Room for Ethnic Voices in the Culinary Conversation
December 26, 2020
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December 26, 2020
Bot Poetry: Engineering Randomness
November 16, 2020
Bot Poetry: Engineering Randomness
November 16, 2020
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November 16, 2020
Identifying Calligraphic Genius
March 22, 2020
Identifying Calligraphic Genius
March 22, 2020
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March 22, 2020
Faces of Catastrophe, Faces of Liberation: Fazal Sheikh’s Independence | Nakba
March 1, 2020
Faces of Catastrophe, Faces of Liberation: Fazal Sheikh’s Independence | Nakba
March 1, 2020
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March 1, 2020
A New World Order: Exit West and the Evanescence of Migratory Life
February 11, 2020
A New World Order: Exit West and the Evanescence of Migratory Life
February 11, 2020
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February 11, 2020
Questions on the Subject of Imitation: A Reflection on de Chaillé’s le Désordre du Discours
January 8, 2020
Questions on the Subject of Imitation: A Reflection on de Chaillé’s le Désordre du Discours
January 8, 2020
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January 8, 2020
The Sound of a Face: Re-Encountering Portraiture in Mario Moore’s The Work of Several Lifetimes
November 26, 2019
The Sound of a Face: Re-Encountering Portraiture in Mario Moore’s The Work of Several Lifetimes
November 26, 2019
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November 26, 2019
What We're Loving
What We’re Loving: New Staff Edition 2021
December 3, 2021
What We’re Loving: New Staff Edition 2021
December 3, 2021
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December 3, 2021
What We’re Loving: Summer Break 2021 Edition
September 17, 2021
What We’re Loving: Summer Break 2021 Edition
September 17, 2021
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September 17, 2021
What We’re Loving: Winter Break 2020 Edition
February 15, 2021
What We’re Loving: Winter Break 2020 Edition
February 15, 2021
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February 15, 2021
What We’re Loving: New Staff Edition 2020
October 15, 2020
What We’re Loving: New Staff Edition 2020
October 15, 2020
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October 15, 2020
What We’re Centering: Creators of Color
June 22, 2020
What We’re Centering: Creators of Color
June 22, 2020
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June 22, 2020
What We’re Loving: Quarantine Edition
April 29, 2020
What We’re Loving: Quarantine Edition
April 29, 2020
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April 29, 2020
What We Loved: 2010s Arts in Review
December 31, 2019
What We Loved: 2010s Arts in Review
December 31, 2019
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December 31, 2019
December 31, 2019
What We Loved: 2010s Arts in Review
December 31, 2019
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December 31, 2019
What We’re Loving: Back-to-School 2019
September 3, 2019
What We’re Loving: Back-to-School 2019
September 3, 2019
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September 3, 2019
September 3, 2019
What We’re Loving: Back-to-School 2019
September 3, 2019
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September 3, 2019
Poem of the Week
Poem of the Week
“The Amateur Astronomer”
Poem of the Week

Nass Lit’s “Poem of the Week,” by Michael M. Fried ‘59

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Poem of the Week
Poem of the Week
“A woman and the Beberibe river”
Poem of the Week

Read Nass Lit’s “Poem of the Week,” curated from our 1842-present archives, and a comment from our historian.

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Poem of the Week
Poem of the Week
“Ancestor” by Ana Istrate
Poem of the Week

Each week, Nass Lit will be sharing a poem from its archives, 1842-present.

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Poem of the Week

The Nassau Literary Review
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Princeton, NJ 08544

nasslit@princeton.edu

 

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